The blowjob has fallen on hard times. Or, to put it in the form of a crude question, who can really get it up for fellatio these days? Back in the 1960s and ’70s, fellatio was all the rage. Its curative powers are powerfully conveyed by the moment in John Updike’s Bech when the protagonist’s mistress tries “to bring his weakling member to strength by wrapping it in the velvet bandages of her lips.” Abandoning the protective modesty of fiction in the poem “Fellatio,” Updike celebrated the way “that each of these clean secretaries / at night, to please her lover, takes / a fountain into her mouth.” (via Death of the Blowjob - Oral Sex in Pop Culture - Esquire)
Some of this enthusiasm lived on into the late twentieth century. In 1995’s To Die For, Nicole Kidman reacts with disingenuous astonishment to the story of how a famous broadcaster got her big break because a self-penned reference commended her ability to “suck your cock till your eyes pop out!” (Shouldn’t that read “cave in” or “implode”?) In the same year, there’s a fun exchange in Martin Amis’s The Information in which a male character proposes to a lady friend that they “do 68.” What’s that? she asks. “You do me and I owe you 1,” he shoots back. Later in the novel, the humiliation of failed writer Richard Tull is complete when his wife fellates his rival, the successful Gwyn Barry. If this all seems rather quaint, then Susan Minot’s 2002 novella, Rapture — about a single blowjob — was perhaps a last, jaw-aching hurrah. A genuinely twenty-first-century spokesman can be found in Jonathan Franzen’s Freedom, in the form of young Joey Berglund, whose sexual maturity — compared with the guys he’s at college with — is conveyed simply and vehemently. Their yearnings center on the blowjob, which Joey considers “little more than a glorified jerkoff.”
